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From Wikipedia, the free encyclopedia
Brave New World is a novel written in 1931 by Aldous Huxley and published in 1932. Set in London of AD 2540 (632 A.F. – "After Ford" – in the book), the novel anticipates developments in reproductive technology, sleep-learning, psychological manipulation, and operant conditioning that combine to profoundly change society. Huxley answered this book with a reassessment in an essay, Brave New World Revisited (1958) and with his final work, a novel titled Island (1962).
In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century. In 2003, Robert McCrum writing for The Observer listed Brave New World number 53 in "the top 100 greatest novels of all time", and the novel was listed at number 87 on the BBC's survey The Big Read.
Brave New World's title derives from Miranda's speech in William Shakespeare's The Tempest, Act V, Scene I:
O wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, That has such people in't.
—William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206
This line itself is ironic; Miranda was raised for most of her life on an isolated island, and the only people she ever knew were her father and his servants, an enslaved savage, and spirits, notably Ariel. When she sees other people for the first time, she is understandably overcome with excitement, and utters, among other praise, the famous line above. However, what she is actually observing is not men acting in a refined or civilized manner, but rather drunken sailors staggering off the wreckage of their ship. Huxley employs the same irony when the "savage" John refers to what he sees as a "brave new world".
Translations of the title often allude to similar expressions used in domestic works of literature in an attempt to capture the same irony: the French edition of the work is entitled Le Meilleur des mondes ("The Best of All Worlds"), an allusion to an expression used by the philosopher Gottfried Leibniz and satirized in Candide, Ou l'Optimisme by Voltaire (1759).
Huxley wrote Brave New World in 1931 while he was living in Italy. By this time, Huxley had already established himself as a writer and social satirist. He was a contributor to Vanity Fair and Vogue magazines, had published a collection of his poetry (The Burning Wheel, 1916) and four successful satirical novels: Crome Yellow (1921), Antic Hay (1923), Those Barren Leaves (1925) and Point Counter Point (1928). Brave New World was Huxley's fifth novel and first dystopian work.
Huxley said that Brave New World was inspired by the utopian novels of H.G. Wells, including A Modern Utopia (1905) and Men Like Gods (1923). Wells' hopeful vision of the future's possibilities gave Huxley the idea to begin writing a parody of the novel, which became Brave New World. He wrote in a letter to Mrs. Arthur Goldsmith, an American acquaintance, that he had "been having a little fun pulling the leg of H. G. Wells," but then he "got caught up in the excitement of my own ideas." Unlike the most popular optimist utopian novels of the time, Huxley sought to provide a frightening vision of the future. Huxley referred to Brave New World as a "negative utopia" (see dystopia), somewhat influenced by Wells' own The Sleeper Awakes (dealing with subjects like corporate tyranny and behavioral conditioning) and the works of D. H. Lawrence.
George Orwell believed that Brave New World must be partly derived from the novel We by Yevgeny Zamyatin.
Huxley visited the newly opened and technologically advanced Brunner and Mond plant, part of Imperial Chemical Industries, or ICI, Billingham, United Kingdom, and gives a fine and detailed account of the processes he saw. The introduction to the most recent print[vague] of Brave New World states that Huxley was inspired to write the classic novel by this Billingham visit.
Although the novel is set in the future it deals with contemporary issues of the early 20th century. The Industrial Revolution had transformed the world. Mass production had made cars, telephones, and radios relatively cheap and widely available throughout the developed world. The political, cultural, economic and sociological upheavals of the Russian Revolution of 1917 and the First World War (1914–1918) were resonating throughout the world as a whole and the individual lives of most people. Accordingly, many of the novel's characters are named after widely recognized, influential and in many cases contemporary people (see below).
Huxley used the setting and characters from his science fiction novel to express widely held opinions, particularly the fear of losing individual identity in the fast-paced world of the future. An early trip to the United States gave Brave New World much of its character. Not only was Huxley outraged by the culture of youth, commercial cheeriness, sexual promiscuity and the inward-looking nature of many Americans, he had also found a book by Henry Ford on the boat to America. There was a fear of Americanization in Europe. Thus seeing America firsthand, and from reading the ideas and plans of one of its foremost citizens, Huxley was spurred to write Brave New World with America in mind. The "feelies" are his response to the "talkie" motion pictures, and the sex-hormone chewing gum is a parody of the ubiquitous chewing gum, which was something of a symbol of America at that time.
In an article in the 4 May 1935 issue of the Illustrated London News, G. K. Chesterton explained that Huxley was revolting against the "Age of Utopias". Much of the discourse on man's future before 1914 was based on the thesis that humanity would solve all economic and social issues. In the decade following the war the discourse shifted to an examination of the causes of the catastrophe. The works of H. G. Wells and George Bernard Shaw on the promises of socialism and a World State were then viewed as the ideas of naive optimists.
After the Age of Utopias came what we may call the American Age, lasting as long as the Boom. Men like Ford or Mond seemed to many to have solved the social riddle and made capitalism the common good. But it was not native to us; it went with a buoyant, not to say blatant optimism, which is not our negligent or negative optimism. Much more than Victorian righteousness, or even Victorian self-righteousness, that optimism has driven people into pessimism. For the Slump brought even more disillusionment than the War. A new bitterness, and a new bewilderment, ran through all social life, and was reflected in all literature and art. It was contemptuous, not only of the old Capitalism, but of the old Socialism. Brave New World is more of a revolt against Utopia than against Victoria.
For Brave New World, Huxley unsurprisingly received nearly universal criticism from contemporary critics, although his work was later embraced. Even the few sympathetic critics tended to temper their praises with disparaging remarks.
The Introduction (Chapters 1–6)
The novel opens in London in 632 (AD 2540 in the Gregorian Calendar). The vast majority of the population is unified under the World State, an eternally peaceful, stable global society in which goods and resources are plentiful (because the population is permanently limited to no more than two billion people) and everyone is happy. Natural reproduction has been done away with and children are created, 'decanted' and raised in Hatcheries and Conditioning Centres, where they are divided into five castes (which are further split into 'Plus' and 'Minus' members) and designed to fulfill predetermined positions within the social and economic strata of the World State. Fetuses chosen to become members of the highest castes, 'Alpha' and 'Beta', are allowed to develop naturally while maturing to term in "decanting bottles", while fetuses chosen to become members of the lower castes ('Gamma', 'Delta', 'Epsilon') are subjected to in situ chemical interference to cause arrested development in intelligence or physical growth. Each 'Alpha' or 'Beta' is the product of one unique fertilized egg developing into one unique fetus. Members of lower castes are not unique but are instead created using the Bokanovsky process which enables a single egg to spawn (at the point of the story being told) up to 96 children and one ovary to produce thousands of children. To further increase the birthrate of Gammas, Deltas and Epsilons, Podsnap's Technique causes all the eggs in the ovary to mature simultaneously, allowing the hatchery to get full use of the ovary in two years' time. People of these castes make up the majority of human society, and the production of such specialized children bolsters the efficiency and harmony of society, since these people are deliberately limited in their cognitive and physical abilities, as well as the scope of their ambitions and the complexity of their desires, thus rendering them easier to control. All children are educated via the hypnopaedic process, which provides each child with caste-appropriate subconscious messages to mold the child's lifelong self-image and social outlook to that chosen by the leaders and their predetermined plans for producing future adult generations.
To maintain the World State's Command Economy for the indefinite future, all citizens are conditioned from birth to value consumption with such platitudes as "ending is better than mending," "more stiches less riches" i.e., buy a new item instead of fixing the old one, because constant consumption, and near-universal employment to meet society's material demands, is the bedrock of economic and social stability for the World State. Beyond providing social engagement and distraction in the material realm of work or play, the need for transcendence, solitude and spiritual communion is addressed with the ubiquitous availability and universally endorsed consumption of the drug soma. Soma is an allusion to a ritualistic drink of the same name consumed by ancient Indo-Aryans. In the book, soma is a hallucinogen that takes users on enjoyable, hangover-free "holidays". It was developed by the World State to provide these inner-directed personal experiences within a socially managed context of State-run 'religious' organizations; social clubs. The hypnopaedically inculcated affinity for the State-produced drug, as a self-medicating comfort mechanism in the face of stress or discomfort, thereby eliminates the need for religion or other personal allegiances outside or beyond the World State.
Recreational sex is an integral part of society. According to the World State, sex is a social activity, rather than a means of reproduction (sex is encouraged from early childhood). The few women who can reproduce are conditioned to use birth control, even wearing a "Malthusian belt" (which resembles a cartridge belt and holds "the regulation supply of contraceptives") as a popular fashion accessory. The maxim "everyone belongs to everyone else" is repeated often, and the idea of a "family" is considered pornographic; sexual competition and emotional, romantic relationships are rendered obsolete because they are no longer needed. Marriage, natural birth, parenthood, and pregnancy are considered too obscene to be mentioned in casual conversation. Thus, society has developed a new idea of reproductive comprehension.
Spending time alone is considered an outrageous waste of time and money, and wanting to be an individual is horrifying. Conditioning trains people to consume and never to enjoy being alone, so by spending an afternoon not playing "Obstacle Golf," or not in bed with a friend, one is forfeiting acceptance.
In the World State, people typically die at age 60 having maintained good health and youthfulness their whole life. Death isn't feared; anyone reflecting upon it is reassured by the knowledge that everyone is happy, and that society goes on. Since no one has family, they have no ties to mourn.
The conditioning system eliminates the need for professional competitiveness; people are literally bred to do their jobs and cannot desire another. There is no competition within castes; each caste member receives the same food, housing, and soma rationing as every other member of that caste. There is no desire to change one's caste, largely because a person's sleep-conditioning reinforces each individual's place in the caste system. To grow closer with members of the same class, citizens participate in mock religious services called Solidarity Services, in which twelve people consume large quantities of soma and sing hymns. The ritual progresses through group hypnosis and climaxes in an orgy.
In geographic areas nonconducive to easy living and consumption, securely contained groups of "savages" are left to their own devices. These appear to be similar to the reservations of land established for the Native American population during the colonisation of North America. These 'savages' are beholden of strange customs, including self-mutilation and religion, a mere curio in the outside world.
In its first chapters, the novel describes life in the World State as wonderful and introduces Lenina Crowne and Bernard Marx. Lenina, a hatchery worker, is socially accepted and comfortable with her place in society, while Bernard, a psychologist, is an outcast. Although an Alpha Plus, Bernard is shorter in stature than the average of his caste—a quality shared by the lower castes, which gives him an inferiority complex. His work with sleep-teaching has led him to realize that what others believe to be their own deeply held beliefs are merely phrases repeated to children while they are asleep. Still, he recognizes the necessity of such programming as the reason why his society meets the emotional needs of its citizens. Courting disaster, he is vocal about being different, once stating he dislikes soma because he'd "rather be himself." Bernard's differences fuel rumours that he was accidentally administered alcohol while incubated, a method used to keep Epsilons short.
Bernard's only friend is Helmholtz Watson, an Alpha Plus lecturer at the College of Emotional Engineering (Department of Writing). The friendship is based on their similar experiences as misfits, but unlike Bernard, Watson's sense of loneliness stems from being too gifted, too intelligent, too handsome, and too physically strong. Helmholtz is drawn to Bernard as a confidant: he can talk to Bernard about his desire to write poetry.
The Reservation and the Savage (Chapters 7–9)
Bernard is on holiday at a Savage Reservation with Lenina. The reservation, located in New Mexico, consists of a community named Malpais. From afar, Lenina thinks it will be exciting. She finds the aged, toothless natives who mend their clothes rather than throw them away repugnant, and the situation is made worse when she discovers that she has left her soma tablets at the resort hotel.
In typical tourist fashion, Bernard and Lenina watch what at first appears to be a quaint native ceremony. The village folk, whose culture resembles the contemporary Indian groups of the region, descendants of the Anasazi, including the Puebloan peoples of Acoma, Laguna, and Zuni, and the Ramah Navajo, begin by singing, but the ritual quickly becomes a passion play where a village boy is whipped to unconsciousness.
Soon after, the couple encounters Linda, a woman who has been living in Malpais since she came on a trip and became separated from her group, among whom was a man to whom she refers as "Tomakin" but who is revealed to be Bernard's boss, the Director of Hatcheries and Conditioning, Thomas. She became pregnant despite adhering to her "Malthusian Drill" and there were no facilities for an abortion. Her shame at pregnancy was so great that she decided not to return to her old life, but to stay with the "savages". Linda gave birth to a son, John (later referred to as John the Savage) who is now 18.
Conversations with Linda and John reveal that their life has been hard. For 18 years, they have been treated as outsiders: the native men treated Linda like a sex object while the native women regularly beat and ostracized her because of her promiscuity, and John was mistreated and excluded for his mother's actions and the color of his skin. John was angered by Linda's lovers, and even attacked one in a jealous rage while a child. John's one joy was that his mother had taught him to read, although he only had two books: a scientific manual from his mother's job, which he called a "beastly, beastly book," and a collection of Shakespeare's works (which have been banned in the World State for being subversive). Shakespeare gives John articulation to his feelings, though, and he especially is interested in Othello, Romeo and Juliet, and Hamlet. At the same time, John has been denied the religious rituals of the village, although he has watched them and even has had some religious experiences on his own in the desert.
Old, weathered and tired, Linda wants to return to her familiar world in London, as she misses living in the city and taking soma. John wants to see the "brave new world" his mother has told him so much about. Bernard wants to take them back to block Thomas from his plan to reassign Bernard to Iceland as punishment for his asocial beliefs. Bernard arranges permission for Linda and John to leave the reservation.
John also seems to have an attraction to Lenina, as while Bernard is away, getting the permission to move the savages, he finds her suitcase and ruffles through all of her clothes, taking in the smells. He then sees her "sleeping" in a soma-induced comatose state and stares at her, thinking all he has to do to see her properly is undo one zip. He later tells himself off for being like this towards Lenina, and seems to be extremely shy around her.
The Savage visits the World State (Chapters 10–18)
Upon his return to London, Bernard is confronted by Thomas, the Director of the Hatchery and Conditioning Centre who, in front of an audience of higher-caste Centre workers, denounces Bernard for his asocial behavior. Bernard, thinking that for the first time in his life he has the upper hand, defends himself by presenting the Director with his long-lost lover and unknown son, Linda and John. John falls to his knees and calls Thomas his father, which causes an uproar of laughter. The humiliated Director resigns in shame.
Spared from reassignment, Bernard makes John the toast of London. Pursued by the highest members of society, able to bed any woman he fancies, Bernard revels in attention he once scorned. The victory, however, is short-lived. Linda, decrepit, toothless, and friendless, goes on a permanent soma holiday while John, appalled by what he perceives to be an empty society, refuses to attend Bernard's parties. Society drops Bernard as swiftly as it had taken him. Bernard turns to the person he'd believed to be his one true friend, only to see Helmholtz fall into a quick, easy camaraderie with John. Bernard is left an outcast yet again as he watches the only two men with whom he ever connected find more of interest in each other than they ever did in him.
John and Helmholtz's island of peace is brief. Lenina tries to seduce John, but John pushes her away, calling her out on her sexually wanton ways. Whilst Lenina is in the bathroom, humiliated and putting her clothes on, John receives a telephone call from the hospital telling him that his mother is extremely unwell. He rushes over to see her and sits at her bedside, trying to get her out of her soma holiday so that he can talk to her. He is heartbroken when his mother succumbs to soma and dies. He is extremely annoyed by the young boys that enter the ward to be conditioned about death and annoy John to the point where he starts to use violence to send them away. John's grief bewilders and revolts the hospital workers, and their lack of reaction to Linda's death prompts John to try to force humanity from the workers by throwing their soma rations out a window. The ensuing riot brings the police, who quell the riot by filling the room with vaporized soma. Bernard and Helmholtz arrive to help John, but only Helmholtz helps him, while Bernard stands to the side, torn between risking involvement by helping or escaping the scene.
Following the riot, Bernard, Helmholtz and John are brought before Mustapha Mond, the Resident World Controller for Western Europe. Bernard (who breaks down during the middle of the conversation) and Helmholtz are told they will be exiled to islands of their choice. Mond explains that this exile is not so much a threat to force freethinkers to reform and rejoin society as it is a chance for them to act as they please because they will not be able to influence the population. He also divulges that he too once risked banishment to an island because of some scientific experiments that were deemed controversial by the state, giving insight into his sympathetic tone. Helmholtz chooses the Falkland Islands, believing that their terrible weather will inspire his writing, but Bernard simply does not want to leave London; he struggles with Mond and is thrown out of the office. After Bernard and Helmholtz have left, Mustapha and John engage in a philosophical argument on the morals behind the existing society and then John is told the "experiment" will continue and he will not be sent to an island. John meets with Bernard and Helmholtz once again before their departures from London and Bernard apologizes to John for his opportunistic behavior, having come to terms with his imminent exile and having restored his friendship with Helmholtz.
In the final chapter, John isolates himself from society in a lighthouse outside London where he finds his hermit life interrupted from mourning his mother by the more bitter memories of civilization. To atone, John brutally whips himself in the open, a ritual the Indians in his own village had denied him. His self-flagellation, caught on film and shown publicly, destroys his hermit life. Hundreds of gawking sightseers, intrigued by John's violent behavior, fly out to watch the savage in person. Even Lenina comes to watch, crying a tear John does not see. The sight of the woman whom he both adores and blames is too much for him; John attacks and whips her. This sight of genuine, unbridled emotion drives the crowd wild with excitement, and — handling it as they are conditioned to — they turn on each other, in a frenzy of beating and chanting that devolves into a mass orgy of soma and sex. In the morning, John, hopeless, alone, horrified by his drug use in which he participated that countered his beliefs, makes one last attempt to escape civilization and atone. When thousands of gawking sightseers arrive that morning, frenzied at the prospect of seeing the savage perform again, they find John has hanged himself.
John – the illicit son of the Director and Linda. He was born and reared on the Savage Reservation ("Malpais") after Linda was unwittingly left behind by her errant lover. John the Savage is an outsider both on the Reservation - where the ignorant natives still practice marriage, natural birth, family life and religion - and the ostensibly civilised Brave New World: a totalitarian welfare-state based on principles of stability and happiness, albeit happiness of a shallow and insipid nature. The Savage has read nothing but The Complete Works of William Shakespeare. He quotes them extensively and, for the most part, aptly, though his allusion to "Brave New World" [Miranda's words in The Tempest] takes on a darker and bitterly ironic resonance as the novel unfolds. John the Savage is intensely moral. He is also somewhat naïve. In defiance of BNW's social norms, he falls romantically in love with Lenina, but spurns her premature sexual advances. After his mother Linda's death, the Savage becomes ever more disillusioned with utopian society. Its technological wonders and soulless consumerism are no substitute for individual freedom, human dignity and personal integrity. He debates passionately and eruditely with World Controller Mustapha Mond on the competing merits of primitivism versus the World State. After his spontaneous bid to stir revolt among the lower castes has failed, the Savage retreats to an old abandoned lighthouse, whips himself in remorse for his sins, and gloomily cultivates his garden. But he is hounded by reporters and hordes of intrusive brave new worlders. Guilt-ridden, the Savage finally hangs himself after - we are given to infer - he has taken the soma he so despises when it was sprayed into an adrenaline struck crowd. This Soma influence triggered an orgy which John was also consumed in. When he awoke the next morning, he realized the mistake he had committed. "'Oh, my God, my God!' He covered his eyes with his hand." (Huxley, 259)
Bernard Marx – a sleep-learning specialist at the Hatchery and Conditioning Centre. Bernard is a misfit. He is unusually short for an Alpha; an alleged accident with alcohol in Bernard's blood-surrogate before his decanting has left him slightly stunted. Bernard's independence of mind stems more from his inferiority-complex and depressive nature than any depth of philosophical conviction. Unlike his fellow utopians, Bernard is often angry, resentful and jealous. At times, he is also cowardly and hypocritical. His conditioning is clearly incomplete. He doesn't enjoy communal sports, solidarity services, or promiscuous sex. He doesn't even get much joy out of soma. Bernard is in love with the highly beddable Lenina. He doesn't like her sleeping with other men, though in BNW "everyone belongs to everyone else". Bernard's triumphant return to utopian civilisation with John the Savage from the Reservation precipitates the downfall of the Director, who had been planning to exile him. Bernard's triumph is short-lived. Success goes to his head. Despite his tearful pleas, he is ultimately banished to an Island, one for others like himself, for his non-conformist behaviour.
Helmholtz Watson – handsome and successful Alpha-plus lecturer at the College of Emotional Engineering. Helmholtz is a friend of Bernard. He is restive at the stifling conformism and philistinism of the World State. Not least, he feels unfulfilled writing endless propaganda doggerel. Helmholtz is ultimately exiled to an Island - a cold asylum for disaffected Alpha-plus non-conformists - after reading a heretical poem to his students on the virtues of solitude and for helping John destroy the Soma rations of Delta's after Linda's death.
Lenina Crowne – a young, beautiful and sexually liberated Beta. Lenina is a popular and promiscuous vaccination-worker at the Hatchery and Conditioning Centre. Somewhat quirky - she normally dates only one person at a time - Lenina is basically happy and well-conditioned. She uses soma to suppress unwelcome emotions. Lenina has a date with Bernard, to whom she feels ambivalently attracted; and she goes to the Reservation with him. On returning with relief to civilisation, she tries and fails to seduce John the Savage. The Savage loves and desires Lenina; but owing to his quixotic nature, he is repelled by her forwardness and the prospect of pre-marital sex. So he casts her aside as an "impudent strumpet". Despite John's rejection of her promiscuity, Lenina begins to grow attached and emotionally drawn to him, emotions which deeply trouble her and actually move her to sadness for the first time in her life when she sees how he suffers in his Lighthouse exile.
Mustapha Mond – Resident World Controller of Western Europe. He presides over one of the ten zones of the World State, the global government set up after the cataclysmic Nine Years' War and great Economic Collapse. Sophisticated and good-natured, His Fordship is an urbane and hyperintelligent apologist for Brave New World and its velvet-gloved totalitarianism. Mond defends BNW's ethos of "Community, Identity, Stability" by comparing his harmonious post-Fordist civilisation with the horrors of the suppressed historical past. In his youth, Mond had himself flirted with doing illicit scientific research and heterodox belief. He still keeps a small library of forbidden books in his safe. Yet he opted for training as a future world leader rather than exile. The Controller argues that art, literature and scientific freedom must be sacrificed in order to secure the ultimate utilitarian goal of maximising societal happiness. He defends the genetic caste system, behavioural conditioning and the lack of personal freedom in the World State as a price worth paying for achieving social stability. Stability is the highest social virtue because it leads to lasting happiness.
Fanny Crowne – Lenina Crowne’s friend (they have the same last name because only ten thousand last names are in use in the World State). Fanny’s role is mainly to voice the conventional values of her caste and society. Specifically, she warns Lenina that she should have more men in her life because it looks bad to concentrate on one man for too long.
Henry Foster – One of Lenina’s many lovers, he is a perfectly conventional Alpha male, casually discussing Lenina’s body with his coworkers. His success with Lenina, and his casual attitude about it, infuriate the jealous Bernard.
Linda – John’s mother, and a Beta. While visiting the New Mexico Savage Reservation, she became pregnant with the Director’s son. During a storm, she got lost, suffered a head injury and was left behind. A group of Indians found her and brought her to their village. Linda could not get an abortion on the Reservation, and she was too ashamed to return to the World State with a baby. Her World State–conditioned promiscuity makes her a social outcast. She is desperate to return to the World State and to soma. When she returned she was treated to a series of soma baths and a pleasant death.
The Director – The Director administrates the Central London Hatchery and Conditioning Centre. He is a threatening figure, with the power to exile Bernard to Iceland. But he is secretly vulnerable because he fathered a child (John), a scandalous and obscene act in the World State.
The Arch-Community-Songster – The Arch-Community-Songster is the secular, shallow equivalent of a cardinal in the World State society.
The Warden – The Warden is the talkative chief administrator for the New Mexico Savage Reservation. He is an Alpha-minus.
Others Freemartins: In the book, a "freemartin" (mentioned in chapters 1, 3, 11 and 17) is a woman who has been deliberately made sterile by exposure to hormones during fetal development; in the book, government policy requires freemartins to form 70% of the female population.
Of Malpais John the Savage ("Mr Savage"), son of Linda and Thomas (Tomakin/The Director), an outcast in both primitive and modern society. While he does not appear until partway through the story, he becomes the protagonist shortly after his introduction. Linda, a Beta-Minus. John the Savage's mother, and Thomas's (Tomakin/The Director) long lost lover. She is from England and was pregnant with John when she got lost from Thomas in a trip to New Mexico. She is disliked by both savage people because of her "civilized" behaviour, and by civilized people because of her weight and appearance. Popé, a native of Malpais. Although he reinforces the behaviour that causes hatred for Linda in Malpais by sleeping with her and bringing her Mezcal, he still holds the traditional beliefs of his tribe. John also attempts to kill him, in his early years. He gave Linda a copy of the Complete Works of Shakespeare.
These are non-fictional and factual characters who lived before the events in this book, but are of note in the novel: Henry Ford, who has become a messianic figure to The World State. "Our Ford" is used in place of "Our Lord", as a credit to popularizing the use of the assembly line. Huxley's description of Ford as a central figure in the emergence of the Brave New World might also be a reference to the utopian industrial city of Fordlândia commissioned by Ford in 1927. Sigmund Freud, "Our Freud" is sometimes said in place of "Our Ford" due to the link between Freud's psychoanalysis and the conditioning of humans, and Freud's popularization of the idea that sexual activity is essential to human happiness and need not be limited to procreation. It is also strongly implied that citizens of the World State believe Freud and Ford to be the same person. H. G. Wells, "Dr. Wells", British writer and utopian socialist, whose book Men Like Gods was an incentive for Brave New World. "All's well that ends Wells" wrote Huxley in his letters, criticizing Wells for anthropological assumptions Huxley found unrealistic. Ivan Petrovich Pavlov, whose conditioning techniques are used to train infants. William Shakespeare, whose banned works are quoted throughout the novel by John, "the Savage". The plays quoted include Macbeth, The Tempest, Romeo and Juliet, Hamlet, King Lear, Troilus and Cressida, Measure for Measure and Othello. Mustapha Mond also knows them because he, as a World Controller, has access to a selection of books from throughout history, including the Bible. Thomas Robert Malthus, whose name is used to describe the contraceptive techniques (Malthusian belt) practiced by women of the World State. Reuben Rabinovitch, the character in whom the effects of sleep-learning, hypnopædia, are first noted. John Henry Newman, Mustapha Mond discussed Cardinal Newman with the Savage after reading a quote from his book
Sources of names and references
The limited number of names that the World State assigned to its bottle-grown citizens can be traced to political and cultural figures who contributed to the bureaucratic, economic, and technological systems of Huxley's age, and presumably those systems in Brave New World: Bernard Marx, from George Bernard Shaw (or possibly Bernard of Clairvaux or possibly Claude Bernard) and Karl Marx. Henry Foster, from Henry Ford American industrialist, see above. Lenina Crowne, from Vladimir Lenin, the Bolshevik leader during the Russian Revolution. Fanny Crowne, from Fanny Kaplan, famous for an unsuccessful attempt to assassinate Lenin. Ironically, in the novel, Lenina and Fanny are friends. George Edzel, from Edsel Ford, son of Henry Ford. Polly Trotsky, from Leon Trotsky, the Russian revolutionary leader. Benito Hoover, from Benito Mussolini, dictator of Italy; and Herbert Hoover, then-President of the United States. Helmholtz Watson, from the German physician and physicist Hermann von Helmholtz and the American behaviorist John B. Watson. Darwin Bonaparte, from Napoleon I, the leader of the First French Empire, and Charles Darwin, author of The Origin of Species. Herbert Bakunin, from Herbert Spencer, the English philosopher and Social Darwinist, and Mikhail Bakunin, a Russian philosopher and anarchist. Mustapha Mond, from Mustafa Kemal Atatürk, founder of Turkey after World War I, who pulled his country into modernization and official secularism; and Sir Alfred Mond, an industrialist and founder of the Imperial Chemical Industries conglomerate. Primo Mellon, from Miguel Primo de Rivera, prime minister and dictator of Spain (1923-1930), and Andrew Mellon, an American banker and Secretary of the Treasury (1921-1932). Sarojini Engels, from Friedrich Engels, co-author of The Communist Manifesto along with Karl Marx: and Sarojini Naidu, an Indian politician. Morgana Rothschild, from J. P. Morgan, US banking tycoon, and the Rothschild family, famous for its European banking operations. Fifi Bradlaugh, from the British political activist and atheist Charles Bradlaugh. Joanna Diesel, from Rudolf Diesel, the German engineer who invented the diesel engine. Clara Deterding, from Henri Deterding, one of the founders of the Royal Dutch Petroleum Company. Tom Kawaguchi, from the Japanese Buddhist monk Ekai Kawaguchi, the first recorded Japanese traveler to Tibet and Nepal. Jean-Jacques Habibullah, from the French political philosopher Jean-Jacques Rousseau and Habibullah Khan, who served as Emir of Afghanistan in the early 20th century. Miss Keate, the Eton headmistress, from nineteenth-century headmaster John Keate. Arch-Community Songster of Canterbury, a parody of the Archbishop of Canterbury and the Anglican Church's decision in August 1930 to approve limited use of contraception. Popé, from Popé, the Native American rebel who was one of the instigators of the conflict now known as the Pueblo Revolt. John the Savage, after the term "noble savage" originally used in the verse drama The Conquest of Granada by John Dryden, and later erroneously associated with Rousseau.
Fordism and society
Main article: World state in Brave New World
The World State is built upon the principles of Henry Ford's assembly line—mass production, homogeneity, predictability, and consumption of disposable consumer goods. At the same time as the World State lacks any supernatural-based religions, Ford himself is revered as the creator of their society but not as a deity, and characters celebrate Ford Day and swear oaths by his name (e.g., "By Ford!"). In this sense, some fragments of traditional religion are present, such as Christian crosses, which had their tops cut off in order to be changed to a "T". The World State calendar numbers years in the "AF" era—"Annum Ford"—with year 1 AF being equivalent to 1908 AD, the year in which Ford's first Model T rolled off his assembly line. The novel's Gregorian calendar year is AD 2540, but it is referred to in the book as AF 632.
From birth, members of every class are indoctrinated by recorded voices repeating slogans while they sleep (called "hypnopædia" in the book) to believe their own class is superior, but that the other classes perform needed functions. Any residual unhappiness is resolved by an antidepressant and hallucinogenic drug called soma (named for an intoxicating drink in ancient India) distributed by the Arch-Community Songster of Canterbury, a secularised version of the Christian sacrament of Communion ("The Body of Christ").
The biological techniques used to control the populace in Brave New World do not include genetic engineering; Huxley wrote the book before the structure of DNA was known. However, Gregor Mendel's work with inheritance patterns in peas had been re-discovered in 1900 and the eugenics movement, based on artificial selection, was well established. Huxley's family included a number of prominent biologists including Thomas Huxley, half-brother and Nobel Laureate Andrew Huxley, and brother Julian Huxley who was a biologist and involved in the eugenics movement. Nonetheless, Huxley emphasizes conditioning over breeding (see nature versus nurture); human embryos and fetuses are conditioned through a carefully designed regimen of chemical (such as exposure to hormones and toxins), thermal (exposure to intense heat or cold, as one's future career would dictate), and other environmental stimuli, although there is an element of selective breeding as well.
Ban, accusation of plagiarism
Brave New World has been banned and challenged at various times. In 1932, the book was banned in Ireland for its language, and for supposedly being anti-family and anti-religion. The American Library Association ranks Brave New World as No. 52 on their list of most challenged books. In 1980, it was removed from classrooms in Miller, Missouri among other challenges. In 1993, an unsuccessful attempt was made to remove the novel from a California school's required reading list because it "centered around negative activity".
The book was banned in India in 1967 with Huxley accused of being a "pornographer."
In 1982, Polish author Antoni Smuszkiewicz in his book Zaczarowana gra presented accusations of plagiarism against Huxley. Smuszkiewicz presented similarities between Brave New World and two science fiction novels written by Polish author Mieczysław Smolarski, namely Miasto światłości (The City of the Sun, 1924) and Podróż poślubna pana Hamiltona (The Honeymoon Trip of Mr. Hamilton, 1928).
Comparisons with George Orwell's Nineteen Eighty-Four
Social critic Neil Postman contrasts the worlds of Nineteen Eighty-Four and Brave New World in the foreword of his 1985 book Amusing Ourselves to Death. He writes:
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egotism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that our desire will ruin us.
Journalist Christopher Hitchens, who himself published several articles on Huxley and a book on Orwell, noted the difference between the two texts in the introduction to his 1999 article "Why Americans Are Not Taught History":
We dwell in a present-tense culture that somehow, significantly, decided to employ the telling expression "You're history" as a choice reprobation or insult, and thus elected to speak forgotten volumes about itself. By that standard, the forbidding dystopia of George Orwell's Nineteen Eighty-Four already belongs, both as a text and as a date, with Ur and Mycenae, while the hedonist nihilism of Huxley still beckons toward a painless, amusement-sodden, and stress-free consensus. Orwell's was a house of horrors. He seemed to strain credulity because he posited a regime that would go to any lengths to own and possess history, to rewrite and construct it, and to inculcate it by means of coercion. Whereas Huxley ... rightly foresaw that any such regime could break but could not bend. In 1988, four years after 1984, the Soviet Union scrapped its official history curriculum and announced that a newly authorized version was somewhere in the works. This was the precise moment when the regime conceded its own extinction. For true blissed-out and vacant servitude, though, you need an otherwise sophisticated society where no serious history is taught.
Brave New World Revisited
1st UK edition Brave New World Revisited (Harper & Brothers, US, 1958; Chatto & Windus, UK, 1959), written by Huxley almost thirty years after Brave New World, was a non-fiction work in which Huxley considered whether the world had moved toward or away from his vision of the future from the 1930s. He believed when he wrote the original novel that it was a reasonable guess as to where the world might go in the future. In Brave New World Revisited, he concluded that the world was becoming like Brave New World much faster than he originally thought.
Huxley analysed the causes of this, such as overpopulation as well as all the means by which populations can be controlled. He was particularly interested in the effects of drugs and subliminal suggestion. Brave New World Revisited is different in tone because of Huxley's evolving thought, as well as his conversion to Hindu Vedanta in the interim between the two books.
The last chapter of the book aims to propose action which could be taken in order to prevent a democracy from turning into the totalitarian world described in Brave New World. In Huxley's last novel, Island, he again expounds similar ideas to describe a utopian nation, which is generally known as a counterpart to his most famous work.
Brave New World Pre-visited. Huxley's Crome Yellow (1921), Ch V, has Mr Scogan, a believer in "the goddess of Applied Science," looking forward optimistically to "the next few centuries" when "In vaste state incubators, rows upon rows of gravid bottles will supply the world with the population it requires. The family system will disappear; society, sapped at its very base, will have to find new foundations; and Eros, beautifully and irresponsibly free, will flit like a gay butterfly from flower to flower through a sunlit world."
Related works The First Men in the Moon (1901) by H.G. Wells. The whole lunar population lives in a single harmonious society, where the offspring starts life in small containers. There it is decided what kind of caste they will belong to for the rest of their existence, and their development at this stage is affected to make sure they fit their caste perfectly. Men Like Gods (1923) by H.G. Wells. A utopian novel that was a source of inspiration for Huxley's dystopian Brave New World. The Scientific Outlook (1931) by philosopher Bertrand Russell. When Brave New World was released, Russell thought that Huxley's book was based on his book The Scientific Outlook, released the previous year. Russell contacted his own publisher and asked whether or not he should do something about this "apparent plagiarism". His publisher advised him not to, and Russell followed this advice. Nineteen Eighty-Four (1949) by George Orwell Kurt Vonnegut said that in writing Player Piano (1952) he "cheerfully ripped off the plot of Brave New World, whose plot had been cheerfully ripped off from Yevgeny Zamyatin's We." Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985) by Neil Postman alludes to how television is goading modern Western culture to be like what we see in Brave New World, where people are not so much denied human rights like free speech, but are rather conditioned not to care.
Radio Brave New World (radio broadcast) CBS Radio Workshop (27 January and 3 February 1956) Brave New World (radio broadcast) BBC Radio4 (May 2013)
Brave New World (1980) Directed by Burt Brinckerhoff Kristoffer Tabori as John Savage Bud Cort as Bernard Marx Keir Dullea as Thomas Grambell Julie Cobb as Linda Lysenko Ron O'Neal as Mustapha Mond Marcia Strassman as Lenina Disney
Brave New World (1998) Directed by Leslie Libman and Larry Williams Tim Guinee as John Savage Peter Gallagher as Bernard Marx Leonard Nimoy as Mustapha Mond Sally Kirkland as Linda Lysenko Rya Kihlstedt as Lenina Crowne
Brave New World title listing at the Internet Speculative Fiction Database: Brave New World Aldous Huxley; Perennial, Reprint edition, 1 September 1998; ISBN 0-06-092987-1
Brave New World Revisited Aldous Huxley; Perennial, 1 March 2000; ISBN 0-06-095551-1
Brave New World and Brave New World Revisited Aldous Huxley (with a foreword by Christopher Hitchens); Harper Perennial Modern Classics, 2005; ISBN 0-06-077609-9
Brave New World & Brave New World Revisited Aldous Huxley (with an introduction by Margaret Atwood); Vintage Canada Edition, 2007; ISBN 978-0-307-35655-0
Huxley's Brave New World (Cliffs Notes) Charles and Regina Higgins; Cliffs Notes, 30 May 2000; ISBN 0-7645-8583-5
Spark Notes Brave New World Sterling, 31 December 2003; ISBN 1-58663-366-X
Aldous Huxley's Brave New World (Barron's Book Notes) Anthony Astrachan, Anthony Astrakhan; Barrons Educational Series, November 1984; ISBN 0-8120-3405-8
Also publications for NSW HSC students.
See also Alpha (ethology) List of quotes from Shakespeare in Brave New World
1.^ "100 Best Novels". Random House. 1999. Retrieved 2007-06-23. This ranking was by the Modern Library Editorial Board of authors. 2.^ "100 greatest novels of all time". Guardian. 2003. Retrieved 2012-10-10. 3.^ "BBC - The Big Read". BBC. April 2003, Retrieved 26 October 2012 4.^ Anon. "Brave New World". In Our Time. British Broadcasting Corporation. Retrieved 2009-04-09. 5.^ Bate, Jonathan; Rasmussen, Eric (2007). William Shakespeare: Complete Works. The Royal Shakespeare Company. Chief Associate Editor: Héloïse Sénéchal. Macmillan Publishers Ltd. p. 47. ISBN 978-0-230-00350-7. 6.^ see e.g. 'Leibniz', by Nicholas Jolley (Routledge, 2005) 7.^ Aldous Huxley, Letters of Aldous Huxley, ed. by Grover Smith (New York and Evanston: Harper & Row, 1969), p. 348: "I am writing a novel about the future — on the horror of the Wellsian Utopia and a revolt against it. Very difficult. I have hardly enough imagination to deal with such a subject. But it is none the less interesting work" (letter to Mrs. Kethevan Roberts, May 18, 1931). 8.^ Heje, Johan (2002). "Aldous Huxley". In Darren Harris-Fain. British Fantasy and Science-Fiction Writers, 1918-1960. Detroit: Gale Group. p. 100. ISBN 0-7876-5249-0. 9.^ George Orwell: Review, Tribune, 4 January 1946. 10.^ , 18 August 2006 Missing or empty |title= (help) (radio interview with We translator Natasha Randall) 11.^ The Vintage Classics edition of Brave New World.[page needed] 12.^ G.K. Chesterton, review in The Illustrated London News, 4 May 1935 13.^ Huxley, Aldous. Brave New World. Harper Perennial Modern Classics; Reprint edition (17 October 2006), P.S. Edition, ISBN 978-0-06-085052-4 — "About the Book." — "Too Far Ahead of Its Time? The Contemporary Response to Brave New World (1932)" p. 8-11 14.^ Huxley, Brave New World, 1932. (London: HarperCollins, first Perennial Modern Classics edition) p. 113. "Youth almost unimpaired till sixty, and then, crack! The end". – Bernard Marx 15.^ chapter 3, "Our Ford-or Our Freud, as, for some inscrutable reason, he chose to call himself whenever he spoke of psychological matters–Our Freud had been the first to reveal the appalling dangers of family life" 16.^ Meckier, Jerome (2006). "Onomastic Satire: Names and Naming in Brave New World". In Peter Edgerly Firchow and Bernfried Nugel. Aldous Huxley: modern satirical novelist of ideas. Lit Verlag. pp. 187ff. ISBN 3-8258-9668-4. OCLC 71165436. Retrieved 2009-01-28. 17.^ Knaut, Andrew L. (1995). The Pueblo Revolt of 1680: conquest and resistance in seventeenth-century New Mexico. Norman: University of Oklahoma Press. p. 168. ISBN 0-8061-2992-1. OCLC 231644472. 18.^ "Banned Books". Classiclit.about.com. 2009-11-02. Retrieved 2010-06-01. 19.^ "Banned Books". pcc.edu. Retrieved 2010-06-11. 20.^ "The 100 Most Frequently Challenged Books of 1990–2000". American Library Association. Retrieved 2012-07-27. 21.^ Grumbine, Robert (1996-06-03). "Notes on Book Banning". Retrieved 2009-01-28.[unreliable source?] 22.^ Banned Books, Alibris.[dead link] 23.^ Partap Sharma, "Barer Bones" in C.K. Razdan. Bare Breasts and Bare Bottoms: Anatomy of Film Censorship in India. Bombay: Jaico House, 1975. 24.^ Smuszkiewicz, Antoni (1982). Zaczarowana gra (in Polish). Poznań: Wydawn. Poznanskie. OCLC 251929765.[page needed] 25.^ Christopher Hitchens, "Goodbye to All That: Why Americans Are Not Taught History." Harper's Magazine. November 1998, pp. 37–47. 26.^ "Brave New World Revisited – HUXLEY, Aldous | Between the Covers Rare Books". Betweenthecovers.com. Retrieved 2010-06-01. 27.^ Russell, Bertrand; John G. Slater With the Assistance of Peter Köllner (1996). The Collected Papers of Bertrand Russell, Vol. 10 – A Fresh Look at Empiricism, 1927–42. Routledge. p. xxii. ISBN 978-0-415-09408-5. Retrieved 17 September 2008. 28.^ "Interview with Kurt Vonnegut, Jr.". Playboy. July 1973.
Bibliography Huxley, Aldous (1998). Brave New World (First Perennial Classics ed.). New York: HarperCollins Publishers. ISBN 0-06-092987-1. Huxley, Aldous (2005). Brave New World and Brave New World Revisited (First Perennial Classics ed.). New York: HarperCollins Publishers. ISBN 0-06-077609-9. Huxley, Aldous (2000). Brave New World Revisited (First Perennial Classics ed.). New York: HarperCollins Publishers. ISBN 0-06-095551-1. Postman, Neil (1985). Amusing Ourselves to Death: Public Discourse in the Age of Show Business. USA: Penguin USA. ISBN 0-670-80454-1. Higgins, Charles & Higgins, Regina (2000). Cliff Notes on Huxley's Brave New World. New York: Wiley Publishing. ISBN 0-7645-8583-5. Russell, Robert (1999). Zamiatin's We. Bristol: Bristol Classical Press. ISBN 978-1-85399-393-0.
Wikiquote has a collection of quotations related to: Brave New World
Wikibooks has more on the topic of: Brave New World 1957 interview with Huxley as he reflects on his life work and the meaning of Brave New World Aldous Huxley: Bioethics and Reproductive Issues Audio review and discussion of Brave New World at The Science Fiction Book Review Podcast Brave New World on In Our Time at the BBC. (of Brave_New_World listen now) Literapedia page for Brave New World
[hide] v· t· e
Works by Aldous Huxley
Crome Yellow (1921)· Antic Hay (1923)· Those Barren Leaves (1925)· Point Counter Point (1928)· Brave New World (1932)· Eyeless in Gaza (1936)· After Many a Summer (1939)· Time Must Have a Stop (1944)· Ape and Essence (1948)· The Genius and the Goddess (1955)· Island (1962)
"Happily Ever After"· "Eupompus Gave Splendour to Art by Numbers"· "Cynthia"· "The Bookshop"· "The Death of Lully"· "Sir Hercules"· "The Gioconda Smile"· "The Tillotson Banquet"· "Green Tunnels"· "Nuns at Luncheon"· "Little Mexican"· "Hubert and Minnie"· "Fard"· "The Portrait"· "Young Archimedes"· "Half Holiday"· "The Monocle"· "Fairy Godmother"· "Chawdron"· "The Rest Cure"· "The Claxtons"· "After the Fireworks"· "Jacob's Hands: A Fable" (published 1997) co-written with Christopher Isherwood
Short story collections
Limbo (1920)· Mortal Coils (1922)· Little Mexican (US title: Young Archimedes) (1924)· Two or Three Graces (1926)· Brief Candles (1930)· Collected Short Stories (1957)
The Burning Wheel (1916)· Jonah (1917)· The Defeat of Youth (1918)· Leda (1920)· Arabia Infelix (1929)· The Cicadias and Other Poems (1931)· Collected Poetry (1971)
Along the Road (1925)· Jesting Pilate (1926)· Beyond the Mexique Bay (1934)
On the Margin (1923)· Essays New and Old (1926)· Proper Studies (1927)· Do What You Will (1929)· Vulgarity in Literature (1930)· Music at Night (1931)· Texts and Pretexts (1932)· The Olive Tree (1936)· Ends and Means (1937)· Words and their Meanings (1940)· Science, Liberty and Peace (1946)· Themes and Variations (1950)· The Doors of Perception (1954)· Adonis and the Alphabet (US title: Tomorrow and Tomorrow and Tomorrow) (1956)· Heaven and Hell (1956)· Collected Essays (1958)· Brave New World Revisited (1958)· Literature and Science (1963)· The Human Situation: 1959 Lectures at Santa Barbara (1977)· Moksha: Writings on Psychedelics and the Visionary Experience (1999)
Pride and Prejudice (1940)· Madame Curie (uncredited, 1943)· Jane Eyre (1944)· A Woman's Vengeance (1947)· Prelude to Fame (1950)· Alice in Wonderland (uncredited, 1951)
The Perennial Philosophy (1945) Grey Eminence (1941)· The Devils of Loudun (1952)
The Discovery (based on Frances Sheridan) (1924)· The World of Light (1931)· The Gioconda Smile (play version, also known as Mortal Coils) (1948)· The Genius and the Goddess (play version, with Betty Wendel) (1957)· The Ambassador of Captripedia (1965)· Now More Than Ever (1997)
The Crows of Pearblossom (1944, published 1967)· The Travails and Tribulations of Geoffrey Peacock (1967)
The Art of Seeing (1942)· Selected Letters (2007)
Categories: 1932 novels British science fiction novels Dystopian novels Futurology books Genetic engineering in fiction Mind control in fiction Novels about consumerism Novels about totalitarianism Novels by Aldous Huxley Novels set in London Satirical novels Chatto & Windus books
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Nov 17, 2018 | www.unz.com
Che Guava , says: November 15, 2018 at 5:15 pm GMT@Durruti Excuse me Durutti,
I will give my own impressions of Rosenbaum. Have only read 'Atlas Shrugged', hovers between boring and evil.
The only things that are really interesting about it are
the retro-future details,
and the realrstic portrayal of Hank's wife.
Then again, the latter, if compared with Rosenbdum (Ayn Randy) IRL, much the same.
judging which is worse is difficult.
Personaly? I prefer Homer.
Nov 15, 2018 | www.unz.com
Crawfurdmuir , says: November 15, 2018 at 6:12 am GMTYet Orwell wrote the following words in The Road to Wigan Pier :advancedatheist , says: November 15, 2018 at 6:45 am GMT
"there is the horrible -- the really disquieting -- prevalence of cranks wherever Socialists are gathered together. One sometimes gets the impression that the mere words 'Socialism' and 'Communism' draw towards them with magnetic force every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, 'Nature Cure' quack, pacifist, and feminist in England."
"The ordinary man may not flinch from a dictatorship of the proletariat, if you offer it tactfully; offer him a dictatorship of the prigs, and he gets ready to fight."
In the first of these excerpts, we see a perfect delineation of today's "Cultural Marxism," and in the second, a perfect explanation of the support for Donald Trump. The "deplorables" are those who resent and fight the dictatorship of the prigs. I'm somewhat surprised that no one has written a history of the rise and advance of political correctness in American public life and entitled it "The Dictatorship of the Prigs." I hope someone does.Brave New World has had a funny way of growing more interesting with age. Lenina Crowne, the vacuous Future Woman, has leaped out of the pages of Huxley's novel and into our real lives. Just give Lenina some tattoos and piercings, dye her hair an unnatural color and put a smart phone on her fashionable Malthusian belt, and she would fit right into our world.animalogic , says: November 15, 2018 at 8:16 am GMTI think the author a little unfair to Huxley when he criticises him for no sense of social "Class". The issue here is that class, in BNW, has been hard wired into each grouping (ie deltas etc). Genetic engineering has predetermined all class AND individual desires & interests. The sophistications of language, mind control etc in Orwell are thus unnecessary & superseded.SporadicMyrmidon , says: November 15, 2018 at 8:28 am GMTStraight-up prolefeed:RW , says: November 15, 2018 at 10:06 am GMT
The distinction between the inner party, outer party and proles does seem to be absolutely crucial to Orwell (at least in 1984) and is often neglected by people debating Orwell vs Huxley. Still, I tend to agree with those dissidents who have observed that there really is no inner party. It is outer party buffoons all the way up.George Orwell also beat his coolies "in moments of rage" as he put it in his autobiography. He had first-hand experience as a repressive British colonial police officer in Burma, 1922-1927. He knew the autocratic mindset well, because he had lived it.Ronald Thomas West , says: Website November 15, 2018 at 11:31 am GMT" Trump is the only non-establishment candidate to get elected President since Andrew Jackson and therefore almost the exact opposite of the idea of top-down tyranny"Anonymous  Disclaimer , says: November 15, 2018 at 12:12 pm GMT
That was good for a laugh. What's the difference between governed from the top by liberal slime career opportunist and governed from the top by the moron womanizer opportunist comparable to the governor played by Mel Brooks in Blazing Saddles? The difference is top down slime versus top down idiocy.
There is a misapprehension at the core of this article; Huxley wrote from a liberal 'anything goes' perspective of morality, comparable to today's 'it's all about me' MTV generation. A deeper understanding of Huxley's profound distaste and preoccupation with this is afforded in his novel 'Point, Counter Point.' Orwell, on the other hand, aptly projects a future social conservatism that is better compared to the extremes of a cloistered and tightly policed ultra religious right.
It's not a matter of who was more 'right.' They are describing separate trajectories of human social phenomena we see playing out today. The two were peering down different avenues into the future.
^ 'the apes will rise'Idahoan , says: November 15, 2018 at 2:06 pm GMT
But, despite this, this debate exists not only on the Dissident Right but further afield. Believe it or not, even Left-wingers and Liberals debate this question, as if they too are under the heel of the oppressor's jackboot.
Some left-wingers are. Think of poor Julian Assange!
'All of a sudden, as many commentators have pointed out, there were almost daily echoes of Orwell in the news The most obvious connection to Orwell was the new president's repeated insistence that even his most pointless and transparent lies were in fact true, and then his adviser Kellyanne Conway's explanation that these statements were not really falsehoods but, rather, "alternative facts."'
The counter to this is that Trump is the only non-establishment candidate to get elected President since Andrew Jackson and therefore almost the exact opposite of the idea of top-down tyranny.
Exactly. In 1984, 'Big Brother' actually controlled the media; Trump clearly doesn't, so he is not Big Brother. He is Emmanuel Goldstein: a leader of the resistance but alas, probably not real.Oh dear no, big mistake -- it's Two Minutes Hate, not three as stated here. Orwell is superior by far, since he was serious and more humane in his understanding of the effects of totalitarianism on human psychology. But as a Morrissey song puts it, "I know you love one person, so why can't you love two?"Fiendly Neighbourhood Terrorist , says: Website November 15, 2018 at 2:11 pm GMT@George F. Held Goldstein isn't Orwell's hero. There is nothing in the book to show that Goldstein even exists. All he could be is a propaganda construct (as I believe ISIS Caliph Abu Bakr al Baghdadi is in real life). And Goldstein's Jewishness, apart from his name, is non-existent. When I read 1984 for the first time (in 1986, as it happens), I didn't realise that he was even meant to be a Jew.Durruti , says: November 15, 2018 at 2:23 pm GMT
Lots of Jews are against the racist apartheid colonial settler zionazi pseudostate in Occupied Palestine and its financial backers in New York, but we wouldn't want to disturb you with facts, would we now.Yes:jilles dykstra , says: November 15, 2018 at 3:07 pm GMT
Orwell, who finished his 1984 shortly after the liquidation of Palestine in 1947, [1st printing was 1950], never saw the Elephant (Zionist Elephant). No one is perfect. Orwell, who during WW II, was an employee for Churchill's Government, and labored in Churchill's Propaganda Department (different official title), loyally reflected (most of) that propaganda.
Few visionaries in 1947, understood or opposed the imperialist Oligarchs (financial banking power), who supported the establishment of a so-called Jewish Nation – in someone else's Nation. (The Balfour Declaration was issued during WW I and the liquidation of one of the Peoples of the Middle East was in the planning stages). The Palestinians became the – final victims of World War II.
The Palestinian General Strike (for independence) of 1936 , followed by an insurrection was brutally suppressed by King George (the British Empire Oligarchs – who had long (at least since 1815), become the Minions of the Zionist Bankers.
After WW II, Orwell, chose to ignore the crimes against the Palestinians, and possibly, to get his books published/circulated. Who controls Hollywood-and the Mainstream Media?
For this anarchist, Orwell remains a visionary, a courageous soldier who served in army of the POUM (Partido Obrero Unida Marxista -Trotskyist), and was wounded while defending the same Spanish Republic as Durruti's Anarchists. Orwell's wife served as a Nurse in Spain.
Recommend Orwell's fine book, His HISTORY, " Homage to Catalonia ."
Orwell had courage.
We American Citizen Patriots must display the same courage – as we Restore Our Republic.
https://www.britannica.com/topic/Homage-to-Catalonia@Justsaying " In fact, control by proxy seems to have generated a two-tiered control phenomenon where the leaders are the puppets of puppeteers of a Zionist entity. "jilles dykstra , says: November 15, 2018 at 3:14 pm GMT
Indeed my idea: Morgenthau Wilson, Baruch FDR, Bilderberg conferences, Soros Brussels, Merkel, with whom exactly I do know, but it does not matter, Macron Rothschild, Tony Blair Murdoch.
The catholic countries resist: Poland, Hungary, etc., maybe S Germany and Austria in this respect also can be seen as catholic.
Trump, put your money where your mouth is, Soros, the Koch brothers, they did, but money seeems to have failed in the last USA elections.
Must have been a shock, Solsjenytsyn writes that each jewish community in tsarist Russia always had money for bribes.@Durruti Palestine and the Balfour declaration was a bit more complicated, the British saw an opportunity to keep France, that had Syria and Lebanon, away from Egypt.jilles dykstra , says: November 15, 2018 at 3:23 pm GMT
Mandate of course was just a fig leaf for colonialism.@Ronald Thomas West " What's the difference between governed from the top "Bard of Bumperstickers , says: November 15, 2018 at 4:36 pm GMT
Possibly what is the theory of prof Laslo Maracs, UVA univrsity Amsterdam, that eight years Obama have driven China and Russia so together that Khazakstan now is the economic centre of the world, and that the present USA president understand this.
Khazakstan has the land port for trains to and from St Petersburg Peking.
Four days travel.
Do not hope this railway will have the same effect as the Berlin Bagdad: WWI.@Fiendly Neighbourhood Terrorist This isn't a top-ten contest. The reality we find ourselves in seems to consist largely of billion-shades-of-grey continuums, not black-and-white absolutes. Full-frontal assault (Orwell's state brutality) generally stimulates defensive action. Tangential, obtuse assault (Huxley's anaesthetising hedonia) doesn't alert the defensive posture, the immune response. Tipping points, inflection points, exist, but stealthy wolves in sheeps' clothing, are more effective. The Venus fly trap, the carrion flower, convince prey to approach trustingly. Brave New World's disguised depredation – the nanny/welfare state, etc. – paves the way for Orwell's naked totalitarianism. It's the friendly inmate offering the scared, lonely new prisoner a Snicker's bar and a smoke.AnonFromTN , says: November 15, 2018 at 4:44 pm GMTWhy limit Orwell to "1984"? His "Animal Farm" is a great work, too. Although much shorter, it captured the essence of all totalitarian societies even better. "All animals are equal, but some animals are more equal than others" expresses the "democratic" rule of the 1% better than anything.Truth , says: November 15, 2018 at 4:49 pm GMTSail-Dog's favorite movie, Idiocracy is pretty good prescient too; especially the part about president Camacho, who, by the way, and rather incredibly, most of you voted for two years ago.Ilyana_Rozumova , says: November 15, 2018 at 5:07 pm GMTOrwell is new and improved Huxley that's all folks.George F. Held , says: Website November 15, 2018 at 5:07 pm GMT@Fiendly Neighbourhood Terrorist Consider these excerpts:Che Guava , says: November 15, 2018 at 5:31 pm GMT
1.All the rest had by that time been exposed as traitors and counter-revolutionaries. Goldstein had fled and was hiding no one knew where, and of the others, a few had simply disappeared, while the majority had been executed after spectacular public trials at which they made confession of their crimes. Among the last survivors were three men named Jones, Aaronson, and Rutherford. It must have been in 1965 that these three had been arrested.
2. 'It is called wine,' said O'Brien with a faint smile. 'You will have read about it in books, no doubt. Not much of it gets to the Outer Party, I am afraid.' His face grew solemn again, and he raised his glass: 'I think it is fitting that we should begin by drinking a health. To our Leader: To Emmanuel Goldstein.'
Winston took up his glass with a certain eagerness. Wine was a thing he had read and dreamed about. . . . The truth was that after years of gin-drinking he could barely taste it. He set down the empty glass.
'Then there is such a person as Goldstein?' he said.
'Yes, there is such a person, and he is alive. Where, I do not know.'
'And the conspiracy -- the organization? Is it real? It is not simply an invention of the Thought Police?'
'No, it is real. The Brotherhood, we call it. You will never learn much more about the Brotherhood than that it exists and that you belong to it. I will come back to that presently.'
Whether Goldstein exists is an issue raised in the novel itself, but that he (obviously Jewish like another member of the Brotherhood, Aaronson) is presented sympathetically as a libertarian enemy of the oppressive government is certain. Orwell's novel presents Jews sympathetically as liberators of themselves and others.
And that presentation is historically false: Jews throughout history are the oppressors, not the oppressed.Truly, for movies, the remake of 1984 and Terry Gilliam's Brazil were near-contemporary.anarchyst , says: November 15, 2018 at 6:08 pm GMT
The lattter, except for the boring American woman truck driver, is vastly superior.It is interesting to note that today's voice activated computer interfaces (Alexa, etc.) are equivalent to Orwell's "telescreens" that monitor all activity within a household. Add to that, the present push to implement "chipping"–the implantation of microchips into humans, ostensibly for "convenience" and identification that cannot be lost–the "mark of the beast" in biblical parlance.ia , says: November 15, 2018 at 6:39 pm GMT
The sad part is that much of the population is openly embracing these technologies instead of being wary (and aware) that these are monitoring technologies which will lead to no good.@Che Guava The woman truck driver was the protagonist's love object and inspired what little plot exists. He was supposed to save her, or so he thought. Everything else was window-dressing (albeit quite imaginative), possibly the product of his growing insanityRev. Spooner , says: November 15, 2018 at 6:58 pm GMT"One of the frequent comparisons that comes up in the Dissident Right is who was more correct or prescient, Orwell or Huxley".Anne , says: November 15, 2018 at 6:58 pm GMT
This is the first lie by this author trying to co-opt both these writers for his agenda.
Orwell was an anti-imperialist and thats evident if you read 'Down and out in Paris or London' or the 'Road to Wigan Pier'.
Burgess' politics and views can readily be known by reading 'Clockwork Orange' or 'The brave New World'.
The world today is topsy turvy and what was the left then is now the right but both were anti fascists.
If the comment posted is wrong , it's because the first paragraph was blatantly misleading and stopped me from going any further.One thing that most people in America leave out of consideration is the reality and power of secret societies. Recently Freemasonry celebrated its 300th anniversary with a big bash in England. In Europe, the Catholics are aware of its power and effectiveness. Democracy is a total illusion anyway; oligarchs always rule.ia , says: November 15, 2018 at 7:48 pm GMTAnother good one was Bradbury's Fahrenheit 451. It also has Alexa-type screens that allow the viewer to participate, feel like a "star" and acquire instant fame. Firemen start fires instead of putting them out. Books (good books anyway) cause people to discover and share another more meaningful world. Ergo, old books must be rooted out and destroyed. The war on whiteness and patriarchy in today's parlance.JLK , says: November 15, 2018 at 7:50 pm GMTNineteen Eighty-Four should be required reading in high schools. One of the most creative and prophetic novels of all time. EN LEAVES, etc. But because of its socio-political themes, BNW became part of high school canon. In contrast, 1984 maybe Orwell's greatest work. It's like Anthony Burgess often said A CLOCKWORK ORANGE is the least of his works, but it's his most famous novel because it was made into a classic movie and dealt with relevant social themes of crime and psychology.Anon  Disclaimer , says: Website November 15, 2018 at 8:21 pm GMT
Still, even though 1984 has stuff about control of the populace through drugs and pornography, the vision of BNW is closer to our world in this sense. We live in a world of plenty than scarcity. So, whereas vice is allowed by the state in 1984 as an outlet for a bored and tired public, vice is at the center of life in BNW. The world of 1984 allows some kind of vice but is nevertheless essentially a puritanical, spartan, and moralistic state. Also, vice, even if legal and state-sanctioned, is to be enjoyed behind closed doors. In contrast, the world of BNW has vice of sex and drugs all over the place. Indeed, it is so pervasive that it's not even regarded as vice but the New Virtue. And in this, our world is like BNW. Gambling was once a vice but now a virtue. We are told it is fun, it offers reparations to Indians, and creates jobs. And Las Vegas is like Disneyland for the entire family. Disney Corp has turned into a Brothel, but it's still promoted as Family Entertainment. Trashy celebs who indulge in hedonism and market excessive behavior are held up as role models. Whether it's Hillary with Miley Cyrus or Trump with Kanye, it seems Vice is the new Virtue. (I finally heard a Kanye album on youtube, and it began with a song along the lines of 'suck my dic*'.)
Orwell was insightful about the power of language, but he thought that the totalitarian state would simplify language to create conformity of mind. Such as 'doubleplusgood'. It would be increasingly anti-intellectual and anti-poetic. But the PC manipulation of language works the other way. It keeps on creating fancy, pseudo-intellectual, or faux-sophisticated terms for what is total rot. So many people are fooled because they go to college and are fed fancy jargon as substitute for thought.
Btw, as the 84 in 1984 was the reverse of 48, the year in which the book was written, many literary critics have said the book was not about the future but the present, esp. Stalinist Russia(though some elements were taken from Nazi Germany and even UK). As such, it was a testament and a warning than a prophecy. Besides, Orwell had pretty much laid out the logic of totalitarianism in ANIMAL FARM. Perhaps, the most distressing thing about 1984 is that the hero embodies the very logic that led to the Repressive System in the first place. When asked if he would commit any act of terror and violence to destroy the System, Winston Smith answers yes. It's an indication that the System was long ago created by people just like him, idealists who felt they were so right that they could do ANYTHING to create a just order. But the result was totalitarianism.
One area where the current order is like 1984. The hysterical screaming mobs and their endless minutes of hate. It's like Rule by PMS.@Anne One thing that most people in America leave out of consideration is the reality and power of secret societies.ploni almoni , says: November 15, 2018 at 8:23 pm GMT
One reason why BNW and 1984 fail as future-visions is they assume that the West will remain white. Both are about white tyranny, white systems, white everything. So, the tyranny is ideological, systemic, philosophical, and etc. It's about the rulers and the ruled. It's about systems and its minions. Same with A CLOCKWORK ORANGE. As ugly as its future vision is, at least UK is still white in the novel and movie. But look at London today. It's turning Third World. And white droogs and gangs are getting their ass whupped by black thugs.
Something happened in the West after WWII. Jews gained supreme power and eventually aided homos to be their main allies. And Negroes gained supreme status as idols of song, sports, and sex. This has complicated matters. The group-personalities of Jews and whites are different. Jews are more aware and anxious; whites are more earnest and trusting. There is a huge difference between Chinese elites manipulating Chinese masses AND Jewish elites manipulating non-Jewish masses. Chinese elites think in terms of power. Jewish elites think in terms of power over the Other. There is bound to be far less trust in the latter case, therefore more need to twist logic in so many ways.
As for Negroes, their attitudes are very different from that of whites. In some ways, blacks are the single most destructive force against order and civilization. Look at Detroit and Baltimore. Haiti and Africa. And yet, the rulers of the Current Order elevate blackness as the holiest icon of spiritual magic and coolest idol of mass thrills. This lead to the madonna-ization of white women. Whore-ship as worship. It leads to cucky-wuckeriness among white men. But if whites submit to blackness, their civilization will fall.
But because Jewish power needs to suppress white pride and power with 'white guilt'(over what was done to Negro slaves) and white thrill(for blacks in sports, song, and dance), it promotes blackness. So, on the one hand, Jewish Power is invested in maintaining the Order in which they have so much. But in order for Jews to remain on top, whites must be instilled with guilt and robbed of pride. And blackness is the most potent weapon in this. But in promoting blackness, the West will be junglized. The future of France looks dire with all those blacks coming to kick white male butt and hump white women. And when it all falls apart, Jews will lose out too, at least in Europe. US might be spared from total black destruction with brown-ization. Browns may not have stellar talent but they not crazy like the Negroes.
1984 and BNW are about people lording over others. There isn't much in the way of minority power. But today's world is about Minority Rule, especially that of Jews and Homos. And it's about minorities of blacks in the West taking the mantle of Manhood and Pride from white guys who are cucky-wucked.
Now, the thing about BNW is that its vision has been fulfilled yet. While one can argue that Stalinism pretty much achieved the full extent of Orwellianism, humanity has yet to see the rise of clones and bio-engineering. So, to fully appreciate Huxley, it might take a 100 to 200 yrs. Maybe women will stop giving birth. Maybe the idea of 'mother' will seem funny. Maybe future beings will be cloned. And maybe different castes will be produced to do different jobs. That way, there will be happiness. Today, people are still born naturally, and each person wants to be 'equal'. But what if certain people are bio-engineered to be submissive and happy to do menial work?
Also, mass cloning may be the only way a nation like Japan can sustain itself as they are not breeding anymore.@jilles dykstra To be feared is better than to be popular.Tyrion 2 , says: November 15, 2018 at 8:36 pm GMT@Rev. SpoonerTyrion 2 , says: November 15, 2018 at 8:38 pm GMT
The world today is topsy turvy and what was the left then is now the right but both were anti fascists.
Orwell doesn't seem anything at all like the anti-fascists we see today I'd say my politics hover around where Orwell's were but I get called a Nazi not infrequently.
Truly "war is (now) peace, freedom is slavery, ignorance is strength."@Rev. Spooner If he has read Rand, he should know what these mean. They are Philosophy 101 words and wrote all about them.nsa , says: November 15, 2018 at 9:09 pm GMTMost forget that the three great rats (snitches) of the 20th century were Eric Blair aka Orwell (his famous list of Stalinist media simps), Ron Reagan (Commie Hollywoodites) , and Tim Leary (Weathmen who broke him out of jail). Blair never imagined 99% of the population would willingly invite a telescreen into their homes, and even pay a monthly fee to be dumbed down and manipulated. He visualized the screen correctly to be just an advanced means of propaganda and enslavement. Maybe it is time for an updated version of 1984. Call it 2024. Big Jew (giant orange bloated comb over head on screen) could replace Big Brother, and say Spencer UnzSailer could replace the mythical Goldstein. Dershowitz could replace O'Brien and torment the hapless Winston Anglin and his tatted blowup doll, Julia.c matt , says: November 15, 2018 at 9:14 pm GMT@Fiendly Neighbourhood Terrorist [re Palestine] Lots of Jews are against it, and lots of Jews are for it.c matt , says: November 15, 2018 at 9:30 pm GMT
Lesson: It is a Jewish question which we need not bother ourselves about, one way or the other. Therefore, no rules for or against BDS, no influence from AIPAC, no aid to Israel or Palestine, etc. etc. In other words, let's learn from our Jewish friends for once, and play a game of "let's you and him fight."If prognostication is the goal, Camp of the Saints has them both beat.Johnny Walker Read , says: November 15, 2018 at 10:05 pm GMT@JLK It used to be. It was required reading in my sophomore English Lit. class. I have re-read it 2 times since and it rings truer every time.Anon  Disclaimer , says: Website November 15, 2018 at 10:22 pm GMT@ia Bradbury's Fahrenheit 451Anon  Disclaimer , says: Website November 15, 2018 at 10:25 pm GMT
1984 for juniors.@George F. Held The problem with Orwell is that he makes Jews the oppressed, not the oppressors.ChuckOrloski , says: November 15, 2018 at 10:31 pm GMT
Well, Stalin did win over Trotsky.@Ilyana_Rozumova Ilyana Rozumova wisely said: 'Orwell is new and improved Huxley that's all folks."Anon  Disclaimer , says: Website November 15, 2018 at 11:05 pm GMT
Plus George Orwell's "1984″ arrived on-the-dark scene without carrying the dark Aleister Crowley "baggage."@Tyrion 2 Orwell doesn't seem anything at all like the anti-fascists we see today I'd say my politics hover around where Orwell's were but I get called a Nazi not infrequently.S , says: November 15, 2018 at 11:12 pm GMT
Oddly enough, what we have in the West is actually repression by sacro-ethno-corporatism.
Jews are disproportionately immensely powerful. So, there is an ethnic angle to the current power.
But if Jews were merely rich and powerful, they could be critiqued and challenged like Wasps still are. But they are untouchable because of the sacro-element. As the Children of Shoah, opposition to Jewish Power is 'antisemitic' or 'nazi'.
Also, Globo-Shlomo-Homo Power owes to capitalism, not socialism or communism. Now, corporate tyranny can't be as total as statist tyranny. Even with all the deplatforming and etc, the current power can't do to dissidents what Stalin, Mao, and Hitler did. Still, considering that a handful corporations dominate so much and that so many Americans are either apathetic or rabid-with-PC, the current tyranny is formidable. After all, one doesn't need to control EVERYTHING to keep the power. One only needs control of elite institutions, flow of information, main narratives & icons/idols, and majority support(as US has a winner-takes-all political system). As all such are concentrated in few institutions and industries, the elites own pretty much everything.
With their power of media and academia, Jews have persuaded enough whites that it's virtuous to be anti-white. And with mass-immigration-invasion, the combined votes of white cucks and non-white hordes tip the majority toward the Globo-Shlomo-Homo Party. Unless there is total collapse, this system can go on for a long long time.
Also, corporate power pretty much determines state power since most politicians are whores of donors. And most people who serve in the Deep State were raised from cradle to idolize certain figures and symbols as sacrosanct. As toadies and servants of the Power, they've absorbed these lessons uncritically, and they are afraid to raise their kids with truly critical mindset because asking Big Questions will derail their chance of entering the corridors of privilege. Those in the Deep State bureaucracies are not necessarily corrupt. They may be hardworking and committed to their service to the state, but they are essentially flunkies since they never questioned the central shibboleths that govern today's PC. I don't think people like James Comey are corrupt in the conventional sense. They probably sincerely believe they are committed to the proper functioning of the state. But lacking in imagination and audacity to question beyond the Dominant Narrative and Dogma, they can only be lackeys no matter how smart or credentialed they are.
US and Israel are both essentially fascist states, but the differences is Israel is an organic-fascist state whereas the US is an gangster-fascist state. If not for Israel's Occupation of West Bank and bad behavior to its neighbors, its form of fascist-democratic nationalism would be sound. It is a majority Jewish nation where the Jewish elites have an organic bond with the majority of the people. Also, Jews have a ancestral and spiritual bond with the territory, the Holy Land. Also, there is a balance of capitalism and socialism, and the main theme is the preservation and defense of the homeland for Jews. So, identity/inheritance is served by ideology, not the other way around. As such, Israel is a pretty good model for other nations(though it could treat Palestinians somewhat better; but then, Arabs IN Israel have it pretty good.) Israel need not be a gangster-fascist state because there is natural, historical, and cultural bond between the rulers and the ruled.
But in the US, there is no such bond between the Jewish elites and the masses of goyim. That being the case, it is most unnatural for the US to be Jewish-dominated. It's one thing for Jews to be successful and disproportionately represented in US institutions and industries due to higher IQ and achievement. But the idea of the Jewish elites serving as the Dominant Ruling Elites in a nation where they are only 2% is ridiculous. It's like Turkey has successful minority communities of Greeks, Armenians, and some Jews, but clearly the Turks are in control. But in the US, Jews have the top power, and furthermore, Jews want to keep the power and make all Americans suck up to Jewish power. But this can only work via gangster-fascism since there is no organic bond between Jews and non-Jews. If Jewish elites in Israel think and act in terms of "What can we do to empower all of us Jews as one united people?", Jewish elites in the think in terms of "What can we do to bribe, browbeat, threaten, silence, blacklist, and/or brainwash the goy masses to make them do our bidding?" One if borne of love and trust, the other of contempt and fear.
Whatever problems exist in Israel, I'm guessing there is genuine love between Jewish elites and Jewish masses. But there is a lot of hatred, fear, and anxiety among Jewish elites when it comes to the goyim. The result is outrageous policy like hoodwinking white Christian soldiers to smash 'terrorist muzzie' nations and then bringing over Muslims and embracing them as 'refugees' against 'white supremacist bigots'.
Another problem with globo-shlomo-homo(and-afro) world order is that it's leading to Mono-everything. It's leading to mono-financial rule by Wall Street. As Wall Street is so dominant, it is effectively taking over all financial markets. And as the US military is so dominant, the world is ending up with Mono-Militarism. The US continues to encircle China, Russia, and Iran. And it's leading to Mono-Manhood. Prior to mass-migration-invasion, Europe was all white. So, even though white men tend to lose to blacks in world competition, every white nation had its white local-national hero. Its manhood was defined and represented by its own men. The world had poly-manhood, or plurality of manhood. Even if white men lost to blacks in world competition, they were the dominant men in their own nations. But with Negroes entering every white nation, the result is Mono-Manhood(that of the Negro) in every white nation. This is now spreading to Japan as well, as Japanese women now travel around the world to fill up their wombs with black babies. And of there is Mono-Media. The world communicates through English, but most English media are dominated by Jews. European nations may censor American Media, but it's never the mainstream media. It's always alternative media, and these censorship is done at the pressure of globalist Jewish groups. Jewish globalists pressure Europe to allow ONLY mainstream US media while banning much of alternative media that dares speak truth to power about Jewish power and race-ism(aka race realism).Why does the one have to be 'superior' to the other as they both make a lot of sense?Agent76 , says: November 15, 2018 at 11:17 pm GMT
Why not a combination of both?
How about a society that controls people with a velvet glove by allowing for and promoting every Brave New Worldish (often fatuous) personal pleasure while simultaneously, should a person get out of line from the state's dictates, maintaining in the background the iron fist of a full blown Orwellian police state?
The present society, though not there yet, is not that far away from that now.
Regarding 1984 I've always thought the Michael Radford film version starring Richard Burton, John Hurt, and the luscious Suzanna Hamilton, filmed in an around London from April – June, 1984, the exact time and setting of Orwell's novel, to have been outstanding.9/23/1975 Tom Charles Huston Church Committee TestimonyS , says: November 15, 2018 at 11:33 pm GMT
Tom Charles Huston testified before the Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities, commonly known as the Church Committee, on the 43-page plan he presented to the President Nixon and others on ways to collect information about anti-war and "radical" groups, including burglary, electronic surveillance, and opening of mail.
Documentary: On Company Business  FULL
Rare award winning CIA documentary, On Company Business painfully restored from VHS.@JLKKirt , says: November 15, 2018 at 11:41 pm GMT
Nineteen Eighty-Four should be required reading in high schools.
It has been in many high schools, though I could see how in the future it might be banned as 'hate literature' as it strikes too close to home.In my estimation, That Hideous Strength, the final novel of the science fiction trilogy of C. S. Lewis, is the best and most prescient dystopian novel written – largely because it is so much more than just a dystopian novel. It combines great characters, imaginative fantasy from modern to medieval, and is a truly creepy horror story as well – with a hilarious happy ending which illustrates God's very own sense of humor.Agent76 , says: November 15, 2018 at 11:55 pm GMTJun 7, 2013 George Orwell 1984 Newspeak
"It's a beautiful thing, the destruction of words "
Nov 15, 2018 | www.unz.com
One of the frequent comparisons that comes up in the Dissident Right is who was more correct or prescient, Orwell or Huxley.
In fact, as the only truly oppressed intellectual group, the Dissident Right are the only ones in a position to offer a valid opinion on this, as no other group of intellectuals suffers deplatforming, doxxing, and dismissal from jobs as much as we do. In the present day, it is only the Dissident Right that exists in the 'tyrannical space' explored in those two dystopian classics.
But, despite this, this debate exists not only on the Dissident Right but further afield. Believe it or not, even Left-wingers and Liberals debate this question, as if they too are under the heel of the oppressor's jackboot. In fact, they feel so oppressed that some of them are even driven to discuss it in the pages of the New York Times at the despotically high rate of pay which that no doubt involves.
In both the Left and the Dissident Right, the consensus is that Huxley is far superior to Orwell, although, according to the New York Times article just alluded to, Orwell has caught up a lot since the election of Donald Trump. Have a look at this laughable, "I'm literally shaking" prose from New York Times writer Charles McGrath :
And yet [Huxley's] novel much more accurately evokes the country we live in now, especially in its depiction of a culture preoccupied with sex and mindless pop entertainment, than does Orwell's more ominous book, which seems to be imagining someplace like North Korea. Or it did until Donald Trump was inaugurated.
All of a sudden, as many commentators have pointed out, there were almost daily echoes of Orwell in the news The most obvious connection to Orwell was the new president's repeated insistence that even his most pointless and transparent lies were in fact true, and then his adviser Kellyanne Conway's explanation that these statements were not really falsehoods but, rather, "alternative facts." As any reader of "1984" knows, this is exactly Big Brother's standard of truth: The facts are whatever the leader says they are.
those endless wars in "1984," during which the enemy keeps changing -- now Eurasia, now Eastasia -- no longer seem as far-fetched as they once did, and neither do the book's organized hate rallies, in which the citizenry works itself into a frenzy against nameless foreigners.
The counter to this is that Trump is the only non-establishment candidate to get elected President since Andrew Jackson and therefore almost the exact opposite of the idea of top-down tyranny.
But to return to the notion that Huxley is superior to Orwell, both on the Left and the Dissident Right, this is based on a common view that Huxley presents a much more subtle, nuanced, and sophisticated view of soft tyranny more in keeping with the appearance of our own age. Here's McGrath summarizing this viewpoint, which could just as easily have come out of the mouth of an Alt-Righter, Alt-Liter, or Affirmative Righter:
Orwell didn't really have much feel for the future, which to his mind was just another version of the present. His imagined London is merely a drabber, more joyless version of the city, still recovering from the Blitz, where he was living in the mid-1940s, just before beginning the novel. The main technological advancement there is the two-way telescreen, essentially an electronic peephole.
Huxley, on the other hand, writing almost two decades earlier than Orwell (his former Eton pupil, as it happened), foresaw a world that included space travel; private helicopters; genetically engineered test tube babies; enhanced birth control; an immensely popular drug that appears to combine the best features of Valium and Ecstasy; hormone-laced chewing gum that seems to work the way Viagra does; a full sensory entertainment system that outdoes IMAX; and maybe even breast implants. (The book is a little unclear on this point, but in "Brave New World" the highest compliment you can pay a woman is to call her "pneumatic.")
Huxley was not entirely serious about this. He began "Brave New World" as a parody of H.G. Wells, whose writing he detested, and it remained a book that means to be as playful as it is prophetic. And yet his novel much more accurately evokes the country we live in now, especially in its depiction of a culture preoccupied with sex and mindless pop entertainment, than does Orwell's more ominous book, which seems to be imagining someplace like North Korea.
It is easy to see why some might see Huxley as more relevant to the reality around us than Orwell, because basically "Big Brother," in the guise of the Soviet Union, lost the Cold War, or so it seems.
But while initially convincing, the case for Huxley's superiority can be dismantled.
Most importantly, Huxley's main insight, namely that control can be maintained more effectively through "entertainment, distraction, and superficial pleasure rather than through overt modes of policing and strict control over food supplies" is not actually absent in 1984 .
In fact, exactly these kind of methods are used to control the Proles, on whom pornography is pushed and prostitution allowed. In fact porn is such an important means of social control that the IngSoc authorities even have a pornography section called "PornSec," which mass produces porn for the Proles.
One of the LOL moments in Michael Radford's film version is when Mr. Charrington, the agent of the thought police who poses as a kindly pawnbroker to rent a room to Winston and Julia for their sexual trysts, informs them on their arrest that their surveillance film will be 'repurposed' as porn.
In fact, Orwell's view of sex as a means of control is much more dialectical and sophisticated than Huxley's, as the latter was, as mentioned above, essentially writing a parody of the naive "free love" notions of H.G.Wells.
While sex is used as a means to weaken the Proles, 'anti-Sex' is used to strengthen the hive-mind of Party members. Indeed, we see today how the most hysterical elements of the Left -- and to a certain degree the Dissident Right -- are the most undersexed.
Also addictive substances are not absent from Orwell's dystopian vision. While Brave New World only has soma, 1984 has Victory Gin, Victory Wine, Victory Beer, Victory Coffee, and Victory Tobacco -- all highly addictive substances that affect people's moods and reconcile them to unpleasant realities. Winston himself is something of a cigarette junkie and gin fiend, as we see in this quote from the final chapter:
The Chestnut Tree was almost empty. A ray of sunlight slanting through a window fell on dusty table-tops. It was the lonely hour of fifteen. A tinny music trickled from the telescreens.
Winston sat in his usual corner, gazing into an empty glass. Now and again he glanced up at a vast face which eyed him from the opposite wall. BIG BROTHER IS WATCHING YOU, the caption said. Unbidden, a waiter came and filled his glass up with Victory Gin, shaking into it a few drops from another bottle with a quill through the cork. It was saccharine flavoured with cloves, the speciality of the cafe
In these days he could never fix his mind on any one subject for more than a few moments at a time. He picked up his glass and drained it at a gulp.
But while 1984 includes almost everything that Brave New World contains in terms of controlling people through sex, drugs, and distractions, it also includes much, much more, especially regarding how censorship and language are used to control people and how tyranny is internalised. The chapter from which the above quote comes, shows how Winston, a formerly autonomous agent, has come to accept the power of the system so much that he no longer needs policing.
But most brilliant of all is Orwell's prescient description of how language is changed through banning certain words and the expression of certain ideas or observations deemed "thought crime," to say nothing of the constant rewriting of history. The activities of Big Tech and their deplatforming of all who use words, phrases, and ideas not in the latest edition of their "Newspeak" dictionary, have radically changed the way that people communicate and what they talk about in a comparatively short period of time.
Orwell's insights into how language can be manipulated into a tool of control shows his much deeper understanding of human psychology than that evident in Huxley's novel. The same can be said about Orwell's treatment of emotions, which is another aspect of his novel that rings particularly true today.
In 1984 hate figures, like Emmanuel Goldstein, and fake enemies, like Eastasia and Eurasia, are used to unite, mobilise, and control certain groups. Orwell was well aware of the group-psychological dynamics of the tribe projected to the largest scale of a totalitarian empire. The concept of "three minutes hate" has so much resonance with our own age, where triggered Twitter-borne hordes of SJWs and others slosh around the news cycle like emotional zombies, railing against Trump or George Soros.
In Huxley's book, there are different classes but this is not a source of conflict. Indeed they are so clearly defined -- in fact biologically so -- that there is no conflict between them, as each class carries out its predetermined role like harmonious orbit of Aristotlean spheres.
In short, Brave New World sees man as he likes to see himself -- a rational actor, controlling his world and taking his pleasures. It is essentially the vision of a well-heeled member of the British upper classes.
Orwell's book, by contrast, sees man as the tribal primitive, forced to live on a scale of social organisation far beyond his natural capacity, and thereby distorted into a mad and cruel creature. It is essentially the vision of a not-so-well-heeled member of the British middle classes in daily contact with the working class. But is all the richer and more profound for it.
Colin Liddell is one of the founders of the Alt-Right, which he now disavows, and currently blogs at Affirmative Right . He recently published a book "Interviews and Obituaries," available on Amazon .
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